International Writers Magazine - Our 22ndYear: NY Life before Covid - Archives
of a New York City Street Peddler
February, 1980, and David Gordon is standing in front of a class
of delinquent kids in a South Brooklyn juvenile detention center
trying to teach reading. While patiently guiding them through a
short story called "Young Pablo Picasso," his eye is caught
by a reproduction of the artist's flamboyant signature that has
been emblazoned across the top of the page.
He puts the book
down to stare at the lettering and then happens to notice a little blurb
in a newspaper lying next to it on his desk announcing an upcoming show
of Picasso's work, a major "Retrospective," scheduled to take
place that year at the Museum of Modern Art. It was strange, the signature
and show coming together like that. His mind wanders. An idea is taking
form. Suddenly it comes to him. Just in time too, because the kids are
going bananas and a piece of chalk whizzes past his ear, powder shat-tering
against the green board behind him.
That evening, in the safety of his modest suburban home, he announced
his plan to his wife. "Jill," he boasts, "this is it,
the big one! I'm going to sell Picasso T-Shirts at the Museum of Modern
Art this summer."
Quite naturally she's leery. In fact she thinks hes mad. And he
really can't blame her. In the first place she's wondering why in the
world anyone would want to buy a T-shirt with Picasso's signature on
it. And secondly, they had just been through a nervous breakdown-inducing
business bankruptcy after he had invested their life's savings in three
waterbed stores, all of which sunk after only 5 months, leaving them
in a blizzard of attorneys' letters, injunctions, collections notices,
court fees, judgments, tax liens, law suits (both of the civil and criminal
variety), and every other form of lawyer-related horror one could dream
But he had to give this one a shot and Jill understood why. She understood
that he was tired of trying to make it on a teacher's salary, tired
of wheeling around suburbia in one clunker after another, tired of never
even considering a vacation, tired of not being able to take his family
to a decent restaurant, depressingly tired of watching the bills pile
up on the kitchen table month after lousy month. They had held on to
our 60's ideals as long as possible, but like the man desperately clinging
to the ledge fifty stories up, it was getting hard because the villain,
Mr. 80's, a/k/a "Greed and Excess," was stomping on their
He hooked up with a real character named Benny who owned a T-shirt printing
shop near his job. David showed him the Picasso signature from the school
book. "Nice shot," Benny says. Everything in this business
is a "shot." Said he can copy it, enlarge it, and press it
onto a shirt. A "heat shot" he calls it.
"What do you think of my idea?" David asks. "Picasso,
"Great" Benny lied. Thought he was nuts. "How many ya'
wanna start with? A hundred dozen? Two?"
"No, shirts. Black ones, with white lettering."
His first day out was in April. He rushed into the city after work figuring
to go after the early ticket buyers. The shirts were stored in a knapsack
on his back. As he walked down the block, however, his confidence melted
away. Suddenly he was terrified. He had no license, if there was such
a thing, no permit, nothing. Here he was, a schoolteacher, with a masters
degree no less, slinking around the museum entrance on 53rd Street between
5th and 6th Avenues like a criminal. He felt like a derelict, or worse
yet, a pervert. He wanted to run, back to the burbs, but something grabbed
hold of him at this moment of truth and he slipped out a shirt and held
it up in front of him at arms length. And like magic, a very well dressed
woman walked over and began to finger it. "Pretty," she says.
Pretty my ass, Davids thought, she's a cop. She pulls out her
wallet. Here comes the badge. "How much?" she asks, and when
he tells her five dollars she hands him a ten and walks away with two.
Hes rocked. Other people who have been watching now come over
to buy shirts too. And this is the first critical lesson he learns about
peddling, to draw a crowd and let people see money changing hands. It
adds credibility to you and your action. Its called it disalienation.
Within half an hour, hes sold out, but decides right then and
there to quit because it's just too damn scary, too risky, for a schoolteacher
with a masters degree that is. But that night back home, hes throwing
the cash around the kitchen, and then hes on the phone with Benny
ordering more shirts which he picks up the next day on his lunch hour
which hes selling that afternoon at the museum after work because
already hes totally addicted to the money and the action!
The Picasso Exhibit opened to rave reviews and the crowds were enormous,
with lines snaking all the way down the block and curling onto 5th Avenue.
Business took off, so he hired his recently unemployed father-in-law,
Syd, to help him out. Syd, one of the greatest, cast aside (not-even-a-gold-watch)
garment center salesmen of all times, covered the 54th Street entrance
while David worked on 53rd. When the end of June rolled around and the
tourists poured into town, business exploded and suddenly they were
moving a couple of hundred pieces a day. Then, summer vacation kicked
in, thank God, and they were working nine to nine, seven days a week.
It was about this time that Davids first competition showed up;
two punk types from Hoboken. They copied his idea. What could he do?
Sue? Call a cop? They hurt Davids numbers because they were showing
colors while he was only showing black. So David got colors too, a whole
rainbow, and now he and Syd are moving even more shirts. Then they got
Kiddie T's (for the grandma and grandpa set) and French cuts (for those
long, tanned arms.) It was Jill's idea.
More competition hit the street: a couple of Israelis, a one-armed Cuban
with a Ph.D. in physics, two accountants, at least one lawyer that he
knew of, an insurance salesman from North Carolina, a keyboard player
and drummer from a defunct rock band, and a host of college students
on summer vacation. The place started to look like a flea market, but
it was OK because there was enough for everybody.
Meanwhile the idea was feeding on itself. Soon everyone was walking
around with a Picasso Signature T-shirt, whether they've been to the
show or not. It's big in the Hamptons. Fire Island also. Store owners
buy them by the dozen, and Davids starting to see them in some
very chic Madison Avenue shop windows marked up four to five hundred
percent. He was doing serious numbers, so serious that Benny put all
his other business on hold and printed only Picasso shirts. Very entrepreneurial.
David was hot, and there was nothing he couldnt handle now...except...the...truck!!
One day a scruffy looking moose of a guy in worn jeans and sandals was
looking down at Davids T-shirts and asked for a pale pink extra
large. Rather strange David thought. He bends down and rummages through
his suitcases and comes up with the guys order and suddenly hes
eyeballing a police badge. "Don't cry," the plain clothes
cop says, "just show me some I.D." But Davids ready,
and pulls out his wallet with a fifty dollar bill taped to the inside
leather flap. "Don't even think about it," the cop says. "Put
it away. I.D." So David hands him a valid driver's license.
"You'll have to do something about this MR. DAVID GORDON."
David has no idea what he's talking about. The cop writes out a summons,
hands David the pink portion of it, gets on his walkie-talkie, and in
seconds a paddy wagon comes roaring up. This is it, David figures, hes
screwed. The cop opens the back door and David starts to climb in when
the cop growls, "What the hell do you think you're doing. Get out!"
and he grabs Davids suitcases full of shirts and throws them into
the truck. "Pick'em up at 2 oclock. Got any back-up?"
the cop asks. Again David doesnt know what's going on. "Shit
to sell, until you come in." Our heros drawing blanks. "You're
not a virgin David, are you?" he asks, somewhat surprised. Davids
too petrified to speak. "You'll learn. See you at two. Midtown
North Precinct," and he was gone.
At the appointed hour, David finds himself in the bowels of a west side
station house located in the heart of the city's sleaze district, the
denizens of which would probably associate the name Pablo Picasso with
some new, well-hung porno sensation. Hes huddling against the
wall of a dingy basement room crowded with an assortment of motley characters,
many of whom he later learns are more plainclothes cops. An air conditioner
belches and death-rattles ineffectively. Everyone's milling about until
one guy, a hippie type cop, sits down behind a typewriter and yells,
"OK, who's up first?" and all hell breaks loose with peddlers
rushing him, waving their pink summonses in his face in order to pay
a $20 "ransom" for their confiscated merchandise and get back
on the street where capitalism in its purest from awaits them.
David hangs around to the end, nervous, scared, like any law-abiding,
middle class suburbanite would be when Gus Reuter, the officer who took
his shirts, asks for the summons and $20 (the "ad-ministrative
fee" the city figures it costs to grab his stuff and haul it to
the station house). He types up a voucher, asks David to sign it, and
then hands back the summons and a receipt for the twenty. As for the
summons, Davids informed that end of it is handled like a parking
ticket, and has to be cleared through a different city agency, Consumer
Affairs. And the fines Reuter warns, usually $100 a pop, can add up
quickly. David was then told he could take back his suitcases, which
were stacked up unceremoniously against a far wall.
When he got home that night he burst through the door scream-ing "I
quit! I quit!" waving the pink summons around like a madman. But
the following day, he and Syd dug up some extra suitcases, "back-up,"
which they would stash on the side in order to continue working between
the time they got hit and the time they had to pick up their "shit."
("Shit," by the way, is the official term for the merchandise
in your "joint." Your joint consists of your "shit"
and your "rig," in his case, three or four suitcases lying
open on the sidewalk. Shit + Rig = Joint.)
Their identity situation was deftly handled by the slick proprietor
of a Broadway arcade, who decked them out with social security cards
and some neat looking plastic employment badges from a bogus Brooklyn
construction company. David proudly became Roger Mantle! What the hell,
he figured, if you're gonna do it...
The system worked perfectly. They got hit, waited a bit, re-opened with
back-up, continued peddling for a couple of hours, then went to the
precinct to ransom their shit, and were back in front of the museum
in no time. The tickets, like of those of every other peddler in the
city, became toilet paper. Everyone's figures were healthy. The peddler
detail was vouching record numbers, while the T-shirt vendors' bottom
lines were blacker than ever.
But it would be impossible to close this chapter of the story without
some pain. There were two periods during that summer when David thought
they had him. The first was during the Democratic National Convention,
which happened to take place in New York that year. Word came thundering
down from the mayor's office to sweep the midtown streets clean of vermin,
especially around the museum where each conventioneer's agenda would
include a trip to the Picasso exhibit. He particularly didn't want them
in contact with vendors. Little did he realize, however, that out-of-towners
love peddlers, and consider them to be just one more vibrant element
in the city's personality. The peddler detail sought to temporarily
suspend peddling operations and warned every street vendor in the strongest
terms not to work midtown that week. The other T-shirt people stopped
immediately, but David was getting greedy, and the next day opened up,
business as usual. He was hit four, five, six times a day. Gus told
him he was making "enemies on the force," the ultimate threat.
Sergeant Laverty, head of the detail, cornered him in the peddler room
one day and said if he kept it up, he'd never work the streets again.
David was scared and considered stopping, but then went back out anyway.
And since the competition had dried up, he made out huge, even with
the extra hassle. Towards the end of the week the detail even let him
slide one or two times. In the end they earned each others respect.
The second time David was almost put out of business happened when Picasso's
greedy heirs decided that the shirt represented a copyright violation
and that they "owned" his signature. An army of treasury agents,
suit and tie guys in unmarked cars, hit the museum one day, confiscating
shirts and handing out injunctions ordering peddlers to cease and desist
until a federal judge would hand down a ruling in two weeks. The press
had been tipped off the previous night and the street was teeming with
reporters, photographers and cameramen.
As David sadly walked back to his car, he passed a bear of a guy, a
grizzled street vendor pulling a monstrous rack of designer tops down
the middle of 54th Street toward Fifth Avenue. He was leaning into a
thick rope that was slung over his shoulder, the other end of which
was tied to his joint. Traffic was backed up behind him all the way
to Sixth Avenue, and each time an irate motorist was able to squeeze
by, he was blasted with a car horn. His response was a calm, detached,
"I-don't-give-a-shit" raised middle finger. David recognized
him from the peddler room. His name was Spiro, a Greek, one of the few
other vendors who had worked convention week.
"I saw what happened," he said to David, dropping the rope
in the middle of the street in order to stretch out his shoulder. Horns
"Yeah, they gave me this," David answered holding up the injunction.
"The hell with it man. Go back to work."
"And get arrested! You're crazy. I'm quitting. For good."
"Hey, they did you a favor. Cleaned up the competition. They ain't
coming back. It was just a big show. For the press. The Feds got better
things to do than bust T-shirt peddlers. You'll never have this chance
again." He picked up the rope and began lugging his rig toward
Fifth. The line of cars started inching along behind him. "Now
is the time," he called back to David. "NOW!"
Within minutes David was on the phone with Benny screaming at him to
print everything he had. And Spiro was right. For the next two weeks
he was the only one out there selling the "banned" shirts.
Everyone had seen them on TV and were desperate for them. Benny made
two, three, sometimes four vanload deliveries a day. David and Syd dumped
them on the sidewalk and watched their clientele pounce on them, grabbing
ten, fifteen at a time. Spiro was right about the Feds too. They never
came back. In fact, the case was lost with the court holding that the
signature was clearly in the public domain. It belonged to the people.
By the time the competition came back, it was too late. They had missed
the best two weeks of the season. Summer was winding down. Gus told
David there would never be another two weeks like it again. And he was
The show was scheduled to end after Labor Day, but the museum was doing
so much business that they decided to extend the show through October.
Every day for the next eight weeks David rushed into the city after
work, once again leading the double life of pedagogue/peddler; two seemingly
incongruous pursuits, yet manageable, even to the point of benefiting
his classroom technique. As a result of an injection of street wisdom
which his streetwise kids instinctively picked up upon, control ceased
to be a problem. They seemed to understand and respect each other more
than ever before.
When the show finally did close, David decided to quit peddling for
good and devote himself fully to teaching. But he was addicted to the
street freedom and ended up quitting teaching for good and devoting
himself to peddling. The next day he was in front of Saks Fifth Avenue
pumping scarves and gloves in the crisp, exciting, autumn air.
This was the mainstream of New York City street vending, Fifth Avenue,
the "Diamond Mile," that stretch of intense commercial activity
running from 59th to 47th Street. It was the time of giant rigs rolling
up and down the block, each manned by four or five peddlers selling
everything from lingerie to jackets, to sweaters, to pocketbooks, to
dresses, hats, records, jewelry, make-up, wigs, belts, toys, pants,
shoes, socks, radios, TV's, telephones, over-the counter medicines,
tools, tires, car batteries, flashlights, condoms, birth control pills,
even eyeglasses. Its true. David once saw two entrepreneurial
characters with a large box filled with prescription glasses. As one
partner deftly placed a pair on a costumer's nose, the other held up
an eye chart exactly 20 feet away. "Can you see the "E"
lady? No? OK, here, try another pair." They went for six bucks
a throw, two for ten dollars.
And as Christmas drew nearer, more peddlers appeared, store owners from
the suburbs and the outer boroughs opening weekend Manhattan "annexes."
The streets were wall-to-wall until ten, eleven oclock at night.
Of course the Fifth Avenue Merchants Association screamed bloody murder,
so more beat cops were assigned to the detail and they'd hit the avenue
every hour on the hour, setting off a wild stampede of flying vendors
and careening dollies which bowled over everything and everybody in
their paths, because nobody wanted to get vouched and lose precious
time in this most precious of seasons.
David always worked small, out of a suitcase or on a garbage pail, usually
with scarves and gloves in the fall and winter, and anything from wallets
to T-shirts to ties in the spring and summer. But he moved with the
times and never allowed himself to get locked into any one particular
item. One season he did incredibly well with dollar chain, "Bro'
Gold" as it was called in the ghettos, "Phonay Monet,"
or "sluummmm...," the definition of which can be found in
the Unabridged Riker's Island Dictionary of the English Language. We're
talking cheap costume jewelry, which he always sold as cheap costume
jewelry, a buck a throw, six for five, as opposed to wise guys whod
stamp it 14 karat and sidle up to tourists looking for a quick hundred.
David became known as the "Slum Lord" during a chain snatching
epidemic by advising his well heeled clientele to "keep the real
stuff in the vault and let the snatcher have this," holding up
a nifty, one dollar, 18 inch herringbone necklace. "Laugh as the
mugger hi-ho silvers it down the block."
What a great mix of people out there too, all working together in relative
peace and madness: Greeks, Turks, Israelis, Palestinians, English, Irish,
Poles, Italians, Indians, Pakistanis, Swiss, Puerto Ricans, Cubans,
Mexicans, Salvadorians, Costa Ricans, Russians, Prussians, Hessians,
Saxons, Celts, Incans, Thais, Vietnamese, Lebanese, Taiwanese, Afghans,
Ukrainians, Bulgarians, Rumanians, Albanians, Davidqis, Davidnians,
Transylvanians, Koreans... each representing a distinct immigrant wave
that had come to New York, the greatest city in the world, to seek refuge
and a degree of economic security on its golden streets, in the same
way the founders of some of the city's greatest retail establishments
had done generations before.
But even though Christmas was around the corner, the time for giving,
not everyone was in the giving mode. Members of the Boards of Directors
of the big time organizations like Saks, Bergdorf, Bonwits, Bloomies,
to name but a few, cried the loudest. "Rid the streets of this
peddler trash," they chorused, "they're killing us. How dare
they sell an umbrella for three dollars when we can get fifteen!"
Were they forgetting their roots? Forgetting where the seed money came
from? Forgetting how their great grandparents came to this country penniless
and toughed it out with nothing but a dream and a pushcart on the cold
cobblestones of Hester Street or Avenue C? And as for the greatest store
of them all, the "Big M" on 34th, are they forgetting about
R.H.Macy, the original "Yankee Peddler!" Evidently.
So, at the urging of these the yuppie captains of commerce, the rules
of the game began to change. Under pressure from the Association, the
city raised the ransom on any joint that rolled to $65. David didn't
care. His garbage pail didn't have any wheels. The rollers didn't care
either, particularly the Izod and Polo boys. A couple of sixty-fives
a day would hardly put a dent in their pre-Christmas action.
So the next move on the city's part was to raise EVERYBODY'S confiscation
fee to sixty-five. When that plan flopped, they decided to "impound"
wheeled rigs under the guise that these "rolling platforms posed
a hazard to pedestrian traffic." No big deal. The big operators
switched to blankets. "Forty in the store. Ten on the floor!"
Meanwhile David is still working his garbage pail with a piece of cardboard
on it. Hes selling leather gloves, showing only three or four
pairs at a time. The rest are stashed in a bag behind him and are not
subject to confiscation because they aren't on display. If Roger Mantle
happens to get popped, he loses only ten or fifteen dollars worth of
merchandise, and does not go directly to jail, but passes Go and avoids
the ransom by letting the city keep the goods.
The politicos finally get to the big joints with Article B23-507.0 of
the Administrative Code. They call it "forfeiture of seized property."
David calls it highway robbery. No more ransoms, they're keeping it
all now. The heavy hitting Izod and Polo peddlers scream bloody murder,
threaten to form an organization in order to hire a lawyer in order
to fight this latest outrage. They circulate petitions (which everyone
signs with a phony name) and ask for contributions (cash...what else!),
but soon the whole thing collapses because theyre really a pack
of unorganizable nomads and suddenly everyone's working small and garbage
pails are at a premium.
So it's a whole new board game, the rules of which peddlers learning
to live with when a fresh group of players suddenly sits down at the
table. A wave of Africans came ashore one day, Senegalese for the most
part, but with Liberians and Ethiopians sprinkled in for good measure.
They hit the streets just like every previous immigrant wave had done
since Peter, the 'bead vendor,' Minuet worked his joint on Manhattan's
south forty 350 years ago. And like their predecessors, they were tired,
poor, scared, humble, but determined. There was only one difference
though. Quite evident too. It was right there in black and white.
There was a story going around that a big mucky-muck walked out of Bergdorf
Goodman one day and was "shocked" by the bazaar that had seeming-ly
sprung up overnight in front of the store, looking like "Istanbul
on Sunday." His hallowed sidewalk was speckled with dashiki clad
vendors hawking African flavored bracelets, neck-laces, earrings and
statuary, not to mention sunglasses and umbrellas (pronounced "sugahs"
and "umbahs" by the new arrivals.) The Bergdorf guy cranked
up the Merchants Association, which revved up City Hall, which shook
up the Police Commissioner's Office, which gave birth to the "Alpha
Squad", a new, heavily manned detail of plainclothes peddler-busters,
so named because in the beginning they rode around in vans and light
trucks rented from an outfit called Alpha Rent-A-Car. Between these
new kids on the block and the regular detail, the pressure was enormous
as they incessantly swept the midtown commercial districts, confiscating
displayed merchandise as well as back-up if they could find it. A lot
of old time peddlers packed it in. But the Africans stayed out there.
The next move was to crack down on identification. Pakistani plastic
became unacceptable. They wanted valid paper: drivers licenses, rent
receipts, telephone bills, green cards. And if you couldn't produce,
you were hauled into the precinct and hassled around for a couple of
hours. For awhile David kept working, taking tickets under his real
name and paying them, but finally quit for good when he started getting
phone calls and threatening letters from some collection agency, probably
the same corrupt one back then that was involved with the thieving Parking
Violation Bureau. But the Africans hung in there. And why not? When
you ain't got nothing, you got nothing to lose.
The crusher came with the strict enforcement of penalties under Section
B32-510, which states that unlicensed general vending is "a misdemeanor
punishable by a fine of not more than $1000, or by imprisonment for
not more than three months or both." This all but eliminated the
few non-African vendors from the city's midtown commercial areas. A
lot of guys David knew became "moles," working the subways
where the rules were different, or "book" peddlers (protected
by the First Amendment). Some began working side streets, off the avenues,
or all the way downtown in lower Manhattan where there was less of a
chance of getting arrested. Some, however, still chanced Fifth Avenue,
usually at odd hours looking for a quick morning or night rush. And
every now and then you might even have caught one doing a lunch hour,
particularly toward the end of the month when the rent came do.
As for the Africans, they still hung tough in midtown because "three
hots and a cot" in the Tombs or on the "Rock" was not
that far removed from ten in a room at dilapidated flophouse.
Epilogue: A Play in Three Acts
It's a week after David quit for good. Hes on the corner Fifth
Avenue and 42nd street talking to a hot dog guy about then Mayor Koch
backing down on his attempt to eliminate food vendors. "Too much
Greek clout," the vendor says, "especially with Dukakis on
the way up." Suddenly a police van pulls up and three cops jump
out and arrest a peddler for selling her photographs of New York in
front of the library. She's cuffed, MDavidnderized, and led into the
back of the truck. Meanwhile, across the street, a three card monte
game goes on undisturbed, with a large group of French tourists being
bilked out of hundreds of dollars as pickpockets work the periphery
of the crowd. Next to them some dope dealer is selling crack, another
quaaludes, another loose joints. It's not the cops' fault. Evidently
they're being told what to concentrate on. It's the city's doing, the
result of the "crackdown of the month club." It's all part
of what they consider to be the "effective utilization of law enforcement
David didn't quit. You knew it all along. Hes on Fifth Avenue
selling wallets, feeling safe, surrounded by African Rolex guys, when
suddenly someone breaks down and runs shouting "Alpha, Alpha!"
He runs too, and from around the corner nervously watches a van cruise
down the block on a "click-click" patrol. ("Click-click,"
by the way, means arrest in African lingo, the sound of handcuffs snapping
shut.) He hangs out, and a little while later Gus comes up to him. "Be
careful," he says, "the Africans got a lawyer. ACLU. He claims
they're being discriminated against. That 99% of the collars are black."
"He's right," David answers. "That's because there's
no other peddlers left. Alpha chased them away. It's like Catch-22."
"So," Gus continues, "theyll be looking for the
few old timers still out there. To kind of even things up."
"Forget it Gus," David laughs. "They'll never catch me.
I'm too quick. Besides, I'm protected, an endangered species. The great
white fucking hope!"
David got click-clicked for the first time the next day on the corner
of 40th Street and Fifth Avenue selling scarves off a garbage pail.
They grabbed him and an African to his right. The cops came up on foot
behind them. David and the African never had a chance.
An hour later the two of them are sitting alone behind bars in a downtown
holding tank and get to talking. Surprisingly the African speaks pretty
good English. He's from Ethiopia and the conversation soon turns to
home and the stories Davids hearing regarding violently repressive
condi-tions are unbelievable. David quickly realizes that to him, this
is all child's play.
Twelve hours later a guard comes over to the cell and tells David that
his I.D. checked out and since he has no priors, hes being released
under his own recognizance. He does, however, have a court date next
month. When the guard opens the door and David gets up to leave, the
African instinctive-ly rises too. "Where are YOU going?" the
guard growls. "Sit your black ass back down."
"Sorry boss," the peddler responds step-n-fetchitly.
The metal door clangs shut behind David, leaving the Ethiopian alone
in the cell. David starts walking away when suddenly he stops and turns
back to the jailed peddler. "Why do you stay here man?" He
"Because I'm free," he answers.
Dr. Howard Karlitz June 2009
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